Аватар персоны Liza Bear

Liza Bear

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Total Films

Also known as (female)

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director

5 Works

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Force of Circumstance

Force of Circumstance

A courier who represents Moroccan dissidents arrives in Washington with secret documents.
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Year:

1990

Force of Circumstance

Force of Circumstance

A courier who represents Moroccan dissidents arrives in Washington with secret documents.
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Year:

1990

Oued Nefifik: A Foreign Movie

Oued Nefifik: A Foreign Movie

Oued Nefifik: A Foreign Movie is an experimental narrative that incorporates an actual political situation. The film was shot in the immediate aftermath of violent repression following food riots in Casablanca, June 1981. It characterizes the experience of a political event for people outside of it. The point of view is that of an absurd and sympathetic character based on Jacques Tati’s Mr Hulot, who is distanced from the post-colonial milieu in which he finds himself. (He doesn’t speak the language, he doesn’t speak their language).
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Year:

1982

Hands Across the Border

Hands Across the Border

Hands Across The Border was a seven city slow scan collaboration. With participation from Paul Wong, Sharon Levett & Daryl Lacey, Video Inn, Vancouver;Randall Lyon & Gus Nelson, Televista Projects, Memphis; Sharon Grace, Video Free America, Berkeley Art Museum, U.C.; Peggy Cady, Bill Bartlett, Chas Leckie. Open Space, Victoria; Felix Partz, Jorge Zontal & Willoughby Sharp, General Idea, Toronto; Liza Bear & Robin Winters, Center for New Art Activities, NY.; et al. Slow-scan television equipment used a computerised memory to sample a picture from a television camera every few seconds, “freeze” it and send it down a telephone line as an audio signal. The machines could only be used between two points at a time. At the receiving end, the signal was decoded and slowly scanned out a still frame on a television monitor.
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Year:

1978

Send/Receive I, and Send/Receive II

Send/Receive I, and Send/Receive II

A primer in satellite system operation, Send/Receive extends the critique of media as commodity by asking questions concerning the people's right to access satellites. The objective of Send/Receive was specifically to connect groups of artists on the East and West Coasts via public satellite, and it was the first artist-initiated project to do so. Part I presents an in-depth study of the politics and possibilities of using satellite networks to establish a two-way communication system for public use, as opposed to the industry-driven, militaristic and mass media uses to which satellites are currently restricted. Part 2 excerpts a live satellite feed between New York City and San Francisco.
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Year:

1977