LJN Hoffman

Sopirku Sayang

Tells the story of a young man who, because his parents stopped funding his college, applied for a job as a driver. It all happened because he refused to be matched. He was accepted to work because everyone in the house had a crush on him, from his mother, son to the maid. After it was discovered that he was a student, he was recruited to work at his employer's company.

Dara-Dara

Four girls (Renny Asmara, Tjetty Wulansari, Aty Rochadiaty, Aminah Cenderakasih) live together in a boarding house. They are romantically involved with four different men (Iwan Taruna BA, Rachmat Kartolo, Pong Hardjatmo, Jopic Burnama). There are relationships that are affairs, platonic love, and the story of a secretary who is sleeping with her boss, but ends up marrying the director's employee. The early part of the film is filled with erotic scenes exploiting the girls, and later on, features comical moments.

Penunggang Kuda dari Tjimande

Riding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.

Samiun dan Dasima

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.