This person called Lois Patiño which was wonderful in Directing is amazing?

Lavadoiro

0.0

Year:

2023

The Sower of Stars

Distant lights reveal the outline of a city. Illuminated ships cross the water with sleeping people on board and the night appears to become liquid. The sower of stars wakes them and travels with them through the city. They talk about this and that – and say goodbye to everything.

6.0

Year:

2022

Sycorax

Who is Sycorax? The first character in Shakespeare's "Tempest" to set foot on the island. The problem is that she has no voice. She is barely mentioned by Prospero as a crooked, old, wicked witch who vilely locked Ariel, the spirit of the air, in a tree. But why would she do that? Here, we wouldn't believe Prospero so much.

5.5

Year:

2021

Sycorax

Who is Sycorax? The first character in Shakespeare's "Tempest" to set foot on the island. The problem is that she has no voice. She is barely mentioned by Prospero as a crooked, old, wicked witch who vilely locked Ariel, the spirit of the air, in a tree. But why would she do that? Here, we wouldn't believe Prospero so much.

5.5

Year:

2021

ML-AP

Menchu Lamas and Antón Patiño have spent a whole life together dedicated to painting, where the spirit of play and artistic exploration of their early years remains intact. In Alcabre, Vigo, they have their watchtower by the sea.

0.0

Year:

2021

ML-AP

Menchu Lamas and Antón Patiño have spent a whole life together dedicated to painting, where the spirit of play and artistic exploration of their early years remains intact. In Alcabre, Vigo, they have their watchtower by the sea.

0.0

Year:

2021

ML-AP

Menchu Lamas and Antón Patiño have spent a whole life together dedicated to painting, where the spirit of play and artistic exploration of their early years remains intact. In Alcabre, Vigo, they have their watchtower by the sea.

0.0

Year:

2021

seventeen syllables

0.0

Year:

2020

Fajr

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

7.0

Year:

2019

Fajr

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

7.0

Year:

2019

Fajr

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

7.0

Year:

2019

Fajr

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

7.0

Year:

2019

O espírito de Pucho Boedo

Locked themselves for days in the Sevillian studio of La Mina, located in a house with a large pool, forces the members of the Galician punk-pop group Carminha Novedades to think about their songs. We find them living their new album 24 hours a day.

2.0

Year:

2018

Red Sun

The HADAL project, that includes SOL ROJO (Red Sun), is an immersion into the oceanic abyss.

6.0

Year:

2018

Night Without Distance

An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.

6.4

Year:

2015

Night Without Distance

An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.

6.4

Year:

2015

Night Without Distance

An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.

6.4

Year:

2015

Night Without Distance

An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.

6.4

Year:

2015

Coast of Death

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

6.4

Year:

2014

Coast of Death

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

6.4

Year:

2014

Coast of Death

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

6.4

Year:

2014

Death At Work

This project comes from the existing link between face, identity, memory and death. The work consists of a set of video portraits where we see the face of a person looking at himself in a mirror, recognizing in his own face. In each video the person is doing the introspective action of remembering different times of his life. Thus, while identified in the features of his face, he also reconstructs his identity through memory. These mental images of time past brought to to the present cause a crash, and a greater awareness of time passing. The project seeks to focus attention and evoke those images hidden from memory.

0.0

Year:

2013

Mountain in Shadow

A poetic view into the relationship of immensity between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a spectral presence.

6.9

Year:

2012

Mountain in Shadow

A poetic view into the relationship of immensity between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a spectral presence.

6.9

Year:

2012

Mountain in Shadow

A poetic view into the relationship of immensity between man and landscape. We contemplate, from the distance, the activity of the skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a spectral presence.

6.9

Year:

2012

In Landscape's Movement

6.0

Year:

2012

Duration-Landscape: Rocks

"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.

7.0

Year:

2011

Duration-Landscape: Rocks

"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.

7.0

Year:

2011

Duration-Landscape: Rocks

"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.

7.0

Year:

2011

Distance-Landscape: Fishermen in the Same Sea

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

8.0

Year:

2011

Distance-Landscape: Fishermen in the Same Sea

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

8.0

Year:

2011

Distance-Landscape: Fishermen in the Same Sea

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

8.0

Year:

2011

Duration-Landscape: Cornfield

The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.

8.0

Year:

2010

Duration-Landscape: Cornfield

The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.

8.0

Year:

2010

Duration-Landscape: Cornfield

The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.

8.0

Year:

2010

Distance-Landscape: House

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

7.0

Year:

2010

Distance-Landscape: House

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

7.0

Year:

2010

Distance-Landscape: House

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

7.0

Year:

2010

Face's Echoes

This work focuses on the representation of a state somewhere between life and death. It is proposed as a place where there is a loss of consciousness. The death has just reached us and our body is drained of life. This crucial instant in which our existence comes to an end, is what we try to capture in their flight. The light of life through us and let us inert. We are in a timeless, ethereal and volatile place.

0.0

Year:

2010

Metallic Shadow in the Dream - Window

We witness the development of that fusion between sea, night and dream.

0.0

Year:

-

Ariel

Augustina Muñoz, an Argentine actress of Galician origin, is visiting her family in a Galician village on the border with Portugal. While visiting the house where her grandmother spent her childhood, she also takes advantage of these days to rehearse the texts in Portuguese of William Shakespeare's A Tempestade, as she had been invited by a theater company to perform the play in the Azores archipelago. She travels to the islands by boat, but when she arrives, she doesn't find anyone from the company or anyone on the island who knows about the show. Finding herself alone on the island, she begins to investigate what would have happened and little by little, as she immerses herself in the reality of the Azores and discovers the magic of the place and its people, her curiosity for the island increases, forgetting what brought her there.

0.0

Year:

2025

Ariel

Augustina Muñoz, an Argentine actress of Galician origin, is visiting her family in a Galician village on the border with Portugal. While visiting the house where her grandmother spent her childhood, she also takes advantage of these days to rehearse the texts in Portuguese of William Shakespeare's A Tempestade, as she had been invited by a theater company to perform the play in the Azores archipelago. She travels to the islands by boat, but when she arrives, she doesn't find anyone from the company or anyone on the island who knows about the show. Finding herself alone on the island, she begins to investigate what would have happened and little by little, as she immerses herself in the reality of the Azores and discovers the magic of the place and its people, her curiosity for the island increases, forgetting what brought her there.

0.0

Year:

2025

Samsara

Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, we will accompany a soul in its transit from one body to another through the bardo.

7.1

Year:

2023

Samsara

Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, we will accompany a soul in its transit from one body to another through the bardo.

7.1

Year:

2023

Samsara

Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, we will accompany a soul in its transit from one body to another through the bardo.

7.1

Year:

2023

The Grass Dwellers

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

0.0

Year:

2022

Unpublished Visions

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.

0.0

Year:

2021

Red Moon Tide

Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.

6.3

Year:

2020

Red Moon Tide

Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.

6.3

Year:

2020

Red Moon Tide

Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.

6.3

Year:

2020

Red Moon Tide

Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.

6.3

Year:

2020

Narcosis

By Lois Patino

6.0

Year:

2018

Sea Body

Videoinstallation with methacrylate / no sound / 2018. Underwater Images recorded in Baja California Sur (México)

6.0

Year:

2018

Strata of the Image

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: "The landscape are layers of time condensed into an image". We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

6.0

Year:

2015

Strata of the Image

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: "The landscape are layers of time condensed into an image". We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

6.0

Year:

2015

The Image Burns

Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.

5.0

Year:

2013

The Image Burns

Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.

5.0

Year:

2013

The Image Burns

Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.

5.0

Year:

2013

Duration-Landscape: Road

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

8.0

Year:

2012

Duration-Landscape: Road

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

8.0

Year:

2012

Duration-Landscape: Road

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

8.0

Year:

2012

Into Water’s Vibration

We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.

7.0

Year:

2012

Into Water’s Vibration

We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.

7.0

Year:

2012

Into Water’s Vibration

We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.

7.0

Year:

2012

Distance-Landscape: Football Field

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

8.0

Year:

2011

Distance-Landscape: Football Field

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

8.0

Year:

2011

Distance-Landscape: Football Field

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

8.0

Year:

2011

Into Earth’s Vibration

We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.

8.0

Year:

2011

Into Earth’s Vibration

We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.

8.0

Year:

2011

Into Earth’s Vibration

We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.

8.0

Year:

2011

Distance-Landscape: Meeting Between Men

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

8.0

Year:

2010

Distance-Landscape: Meeting Between Men

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

8.0

Year:

2010

Distance-Landscape: Meeting Between Men

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

8.0

Year:

2010

Duration-Landscape: River

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

8.0

Year:

2010

Duration-Landscape: River

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

8.0

Year:

2010

Light-Bodies

This work focuses on the representation of a state somewhere between life and death. It is proposed as a place where there is a loss of consciousness. The death has just reached us and our body is drained of life. This crucial instant in which our existence comes to an end, is what we try to capture in their flight. The light of life through us and let us inert. We are in a timeless, ethereal and volatile place.

0.0

Year:

2010

Metallic Shadow in the Dream - Steam

We witness the development of that fusion between sea, night and dream.

0.0

Year:

-

Duration-Landscape: River

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

8.0

Year:

2010

Metallic Shadow in the Dream - Lighthouse

We witness the development of that fusion between sea, night and dream.

0.0

Year:

-