Lucas Eskinazi

Labyrinth

Vilar D'ouro, Trás-os-Montes, 1602. Martim Soares Moreno sees the sun shine on his land. Maybe it's the last time. Soon he will embark towards the new world. The Sea Monsters, also called History, transport him into the future. Hearing words like independence and republic, hearing accents and discovering everything his peers have done, loses his mind.

Joy Is the Acid Test

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.