Lúcia Romano

Maria: Don't Forget I Come From the Tropics

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.

The Way He Looks

Leonardo is a blind teenager dealing with an overprotective mother while trying to live a more independent life. To the disappointment of his best friend, Giovana, he plans to go on an exchange program abroad. When Gabriel, a new student in town, arrives at their classroom, new feelings blossom in Leonardo making him question his plans.

The Comforting Hand

At her only child's 9th birthday, Lucas, Estela, a telemarketing operator, plans a party that has minimal chances of success.

Uma Primavera

At Lara's 13th birthday, her mother takes her to a picnic in the park. Everything goes well until the girl disappears, leaving the mother in complete despair.

Rua Javari

Orlando, a fanatical Juventus fan, wants to indoctrinate his son anyway, as his fanaticism for the small club in Mooca is a family heritage of 3 generations. However, under the influence of friends, the son is tempted to support another club.

Eu Sei Que Você Sabe

Disagreements, incommunicability between people. What is said is not heard, what is heard is not understood. Everything is ambiguous. What appears to be is not, except poetry.