Magdalena Szymków

Pray For Peace, Train For War

Despite really not being military material, Tytus decides to join a local paramilitary group created by his father. Forever an optimist, the boy heads into the forest convinced he can overcome any challenges that come his way.

Vacancy

After “Heat”, it is the second short feature film directed by Agata Trzebuchowska, who is known as the leading actress in Paweł Pawlikowski’s “Ida”. Her proposal is unobvious and intriguing cinema, full of understatement, tension and a peculiar, inimitable atmosphere. The protagonist of “Vacancy” is Anna (Agnieszka Podsiadlik), a quite ordinary resident of a gated housing estate. One day, the woman takes a look inside an unfinished house opposite her own and makes a spontaneous decision to stay there. She begins to observe her family members and neighbours form her hiding spot. Not only does she discover their lesser and greater secrets but, above all, learns more about herself.

My House Without Me

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.

My House Without Me

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.