Marek Rozenbaum

Let the Party Begin

After winning the best film award at the Cannes Film Festival, the legendary film producer - Yonatan Harel, is facing bankruptcy due to a chain of anomalies in the film budgets and investors who withdrew their investment due to the Corona virus. Jonathan tries to survive and save his life, with the help of his lawyer and close friend. On the occasion of winning the Cannes Orit festival, his wife throws him a surprise party and invites the entire film industry, and the professionals he worked with: Gadi Harush, the legendary actor and borderline personality, and the stars of his winning film, Eli Gold and Dafna. Jonathan decides to monitor the entire house with cameras and what he discovers will be beyond his wildest imagination.

The Death of Cinema and My Father Too

When Yoel hears about an imminent Iranian military attack on Tel Aviv, he knows what to do - escape with his family to a safe haven in Jerusalem. His son Assaf, who is a filmmaker and about to become a father himself, wants to give Yoel one last lead role in his movie by melting the fictional world into bittersweet reality.

Live and Become

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

Moments

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

Motherland

A fantasy about a daughter’s yearning for her mother’s warmth and comfort, which turns into a nightmare about harsh reality of a group of homeless quarry workers. Masha arrives at the quarry with a heavy heart, burdened by a secret she hasn’t told anyone about. She wants to speak with her mother, Vera, but she has struggles of her own. A young woman finds herself in a deafening masculine environment where no one's listening. A journey to save herself quickly blurs into a venture to save her own mother. Ants crawling on the walls of the house, childhood photos and Russian food, are the harsh reality of one woman, and a comforting memory for the other.