Marian Dora is the pseudonym most commonly used by an anonymous German director, cinematographer, actor, screenwriter, editor, producer, composer, assistant director, makeup artist, special effects/sound/camera/electricity technician, and set decorator/designer, anagram of his actual name, occasionally also credited under several other pseudonyms. Dora’s main influence is the European cinema of the 70s: he is a great admirer of the work of Italian directors Gualtiero Jacopetti, Ruggero Deodato, and Sergio Martino, as well as of composers Riz Ortolani, Pippo Caruso, Ennio Morricone, and Guido & Maurizio De Angelis. Europe’s literary and poetical tradition is another major influence on Dora: many dialogues in his films contain references to the works of Johann Wolfgang von Goethe, Eduard Mörike, Georg Büchner, Marquis de Sade, Friedrich Nietzsche, and many others.