Mark McGarry

Comic Book Villains

When word hits the street that a nearby elderly gentleman has a cache of old, rare, and very valuable mint condition comic books, rival comic book shop owners Raymond McGillicuddy (Donal Logue) and Norman Link (Michael Rapaport) both set out to be the first to buy them. But when the old man declines to sell, the former friends turn into enemies, and a friendly rivalry becomes tainted with greed and turns to murder.

Desperate But Not Serious

Lily is a twenty-something aspiring writer who receives an invitation to attend a wedding reception with Jonathan, a handsome entomologist who also happens to be the man of her dreams. The only problem is that she's in San Francisco and the wedding is in L.A. Lily is therefore forced to enlist the aid of her friend Frances, an unrepentant party girl who has the L.A. nightclub scene wired. Their plans are completely derailed when they inadvertently lose the all important wedding invitation. This sets in motion an evening full of near misses with Jonathan, and thrusts Lily and Frances into a swarm of offbeat encounters with the underground Hollywood crowd. Off they go from club to club, from party to party and from boy to boy in an effort to find the wedding reception.

Auggie Rose

An insurance salesman's humdrum existence takes a turn when a stranger, ex-con Auggie Rose, unexpectedly dies in his arms. Assuming the identity of the dead man, the salesman embarks on a double life, keeping it secret from his live-in girlfriend.

The Boondock Saints

Tired of the crime overrunning the streets of Boston, Irish Catholic twin brothers Conner and Murphy are inspired by their faith to cleanse their hometown of evil with their own brand of zealous vigilante justice. As they hunt down and kill one notorious gangster after another, they become controversial folk heroes in the community. But Paul Smecker, an eccentric FBI agent, is fast closing in on their blood-soaked trail.

20 Dates

Myles is divorced in L.A. He wants a love life and a film career. So he decides to go on 20 dates and find true love in front of a camera, making his first feature. His patient agent, Richard, finds a $60,000 investor, the shadowy Elie. Myles starts his search, sometimes telling his date she's being filmed, sometimes not. Elie wants sex and titillation, Myles wants it "real." Myles regularly talks with his old film teacher, Robert McKee, who wonders if love is possible in modern life. Half-way through the 20 dates, Myles meets Elisabeth; she's everything he desires and she likes him. Can he finish the 20 dates, satisfy Elie, and complete his film without losing Elisabeth?