Marta Lado

Vilamor

We believed in a better world, we decided to make it come true

Pontevedra, hora cero

A film director prepares to shoot a documentary about the urban miracle of Pontevedra but, in the midst of filming, he realizes that he knows little about the city and that, moreover, he is not very interested in the subject. He enters a creative crisis and realizes that he prefers to make a fiction. Although he is not clear about what, he calls his usual actresses and involves them in the project. They quickly notice that this is not going anywhere and rebel against the direction of the director. As a result of that rebellion, they end up filming something else which is, ultimately, Pontevedra Hora Cero

Véxote

David and Lola are going to spend a few days at their friend Marcos’ rural house. In the middle of nature they seek to meet and see each other, to leave behind the sadness that accompanies Lola.

The Beasts

Antoine and Olga, a French couple, have been living in a small village in Galicia for a long time. They practice eco-responsible agriculture and restore abandoned houses to facilitate repopulation. Everything should be idyllic but for their opposition to a wind turbine project that creates a serious conflict with their neighbors. The tension will rise to the point of irreparability.

Ons

A couple retreat to an Atlantic island to rebuild their relationship, strained by changes through the years. In this strange landscape a lighthouse seems to exert power, and a strange woman appears on the beach after almost drowning.

Sicixia

Sicixia is a fiction feature-length film shot in Costa da Morte (Galicia, Spain). Sicixia is an intended peripheral film. Periphery is where the world gets different, not where it ends. For Romans, Finisterrae was the end of the world. Sicixia wants it to start from here. Sicixia portrays Costa da Morte's unique heritage by intertwining fiction and reality, powerful images with subtle and rich sounds and stories.