Masoud Raouf

There is a garden

Using animation and images, filmmaker and ex-political prisoner, Masoud Raouf shows us how step by step the visual landscape along with art and culture were subverted and replaced as means to install the government’s theocracy. As an act of restoring the human map, Raouf shares his stories based on his experiences and memories of pre and post revolution Iran while living in exile.

Waves at birth

A embryo in a bottle symbolizes humanity's last hope of surviving the devastating effects of war.

Blue Like a Gunshot

With its interplay of shadow and light, of paint in movement, BLUE LIKE A GUNSHOT is a work of great visual power. It is also a reflection on our world. In its evocation of the conflict between civilization and nature, the absurd vanity of human warfare contrasts with the harmony of the natural world.

Blue Like a Gunshot

With its interplay of shadow and light, of paint in movement, BLUE LIKE A GUNSHOT is a work of great visual power. It is also a reflection on our world. In its evocation of the conflict between civilization and nature, the absurd vanity of human warfare contrasts with the harmony of the natural world.

Only the crow knows him

The misrepresentation of images through the story of an old man who lives in the street. One day he sees photographs of himself in an art gallery. He sees himself portrayed as an old homeless man. He has no history, no childhood, no mystery.

Sea, carry my dream

An ethereal painted motion poem to the sights, sounds and senses of the ocean’s edge.