Maxime Jean-Baptiste
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Total Films
Also known as (female)
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Birthday
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Total Films
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Also Known As (female)
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Place of Birth
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Birthday
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Zodiac Sign
-
Genres
0
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
-
Also Known As (female)
-
Place of Birth
actor
0 Works
producer
0 Works
director
9 Works
writer
2 Works
other
2 Works

Listen to the Voices
Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.Year:
2024

Listen to the Voices
Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.Year:
2024
Between Nothingness and Infinity, I Began to Weep
The piece centers on Jean-Baptiste’s cousin Lucas, who was brutally murdered ten years ago at the age of 18, while at a birthday party in Cayenne, French Guiana.Year:
2022

Moune Ô
Maxime Jean-Baptiste continues the research he started in "Nou Voix" (2018) concerning colonial memory, the Guyanese diaspora, and the staging of Black bodies. By questioning how “official” narratives are constructed, the film "Moune Ô" encourages a shift in perspective regarding the link between colonisation and extractivism.Year:
2022

Moune Ô
Maxime Jean-Baptiste continues the research he started in "Nou Voix" (2018) concerning colonial memory, the Guyanese diaspora, and the staging of Black bodies. By questioning how “official” narratives are constructed, the film "Moune Ô" encourages a shift in perspective regarding the link between colonisation and extractivism.Year:
2022

Moune Ô
Maxime Jean-Baptiste continues the research he started in "Nou Voix" (2018) concerning colonial memory, the Guyanese diaspora, and the staging of Black bodies. By questioning how “official” narratives are constructed, the film "Moune Ô" encourages a shift in perspective regarding the link between colonisation and extractivism.Year:
2022

Moune Ô
Maxime Jean-Baptiste continues the research he started in "Nou Voix" (2018) concerning colonial memory, the Guyanese diaspora, and the staging of Black bodies. By questioning how “official” narratives are constructed, the film "Moune Ô" encourages a shift in perspective regarding the link between colonisation and extractivism.Year:
2022

Listen to the Beat of Our Images
In 1961, France established its space-center in Kourou, French Guiana, expropriating local Guianese. Field investigation meets archival video to empower a silenced population.Year:
2021

Nou Voix
Year:
2018