Аватар персоны Michaela Pavlátová

Michaela Pavlátová

DirectorActorWriter
Michaela Pavlátová (born 27 February 1961) is a Czech animator, film director, and teacher. She was nominated for an Academy Award for Best Animated Short Film for Words, Words, Words (1991) and won the Short Film Golden Bear for Repete (1995). As a feminist experimental animator, Michaela's work explores themes of sex, gender, philosophy, and relationality. Beyond her independent work, she worked as the art director for Wildbrain Inc. She currently teaches animation at Prague's Academy of Performing Arts, film, and TV School. Michaela has also taught at the Academy of Arts, Architecture, and Design in Prague, the Academy of Art College, the Computer Arts Institute in San Francisco, and at Harvard University. Description above from the Wikipedia article Michaela Pavlátová, licensed under CC-BY-SA, full list of contributors on Wikipedia.

27-02-1961

Birthday

Pisces

Zodiac Sign

-

Genres

4

Total Films

Also known as (female)

Prague, Czechoslovakia (now Czech Republic)

Place of Birth

Popular works

Creative career

actor

4 Works

producer

0 Works

director

45 Works

writer

14 Works

other

14 Works

Fair Play

Fair Play

In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she is being given steroids and decides to stop using them until her mother helps the coaches give them to her.
6.2

Year:

2014

Seducer

Seducer

A husband asks the best friend to seduce his wife in order to get divorce.
4.3

Year:

2002

Prague Stories

Prague Stories

A four-story omnibus depicting different Czech slices-of-life from the titular city.
5.0

Year:

1999

Buttoners

Buttoners

It is a film consisting of six short stories, which mostly tell in a black humorous, ironic, often bitterly bitter form about an ancient curse, human infidelity, strange deviations, an unexpected miracle and hypocritical forgiveness. They have their own pointed structure, specific atmosphere and way of processing, and yet they pass on motives to each other that communicate with each other and observe the same things from different angles.
7.0

Year:

1997