Michèle Labelle

The Physics of Sorrow

Tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.

The Subject

An animator dissects his own body, extracting memories, emotions and fears that will nurture his work. As he cuts into his skin, various symbolic objects recalling his past emerge. Reaching the heart, he succeeds in identifying the burden he’s been dying to cast off.

The Tesla World Light

New York, 1905. Visionary inventor Nikola Tesla makes one last appeal to J.P. Morgan, his onetime benefactor.

Nadine

From out of nowhere, the most beautiful girl in the world sits at the table across from me at the library. Is this a stroke of good luck or bad? Her smile paralyzes me… How will Sam win Nadine’s heart? Must he seek out his inner samurai to fight the monster of his anxiety? Real courage is conquering your fear.

Oscar

Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson.

Blind Vaysha

From the moment she was born, Vaysha was a very special girl. With her left eye she can only see into the past, and with her right she can only see the future. The past is familiar and safe, the future is sinister and threatening. The present is a blind spot. In captivating parabolic imagery, the award-winning animation artist Theodore Ushev illustrates the world through Vaysha’s eyes.

Carface

Filmmaker and comic strip artist Claude Cloutier has made a striking satire on big oil, a musical where cars sing and dance while the planet falls into despair.

Bydlo

An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.

Mamori

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

Blue Like a Gunshot

With its interplay of shadow and light, of paint in movement, BLUE LIKE A GUNSHOT is a work of great visual power. It is also a reflection on our world. In its evocation of the conflict between civilization and nature, the absurd vanity of human warfare contrasts with the harmony of the natural world.

Islet

For an Inuit fisherman, technology means absurdity. Floating out on a block of ice, he doesn't have any other choice to grab onto some flying fish to save himself.