Michka Saäl

Mavericks

In this posthumous film, shot in Montreal in 2013 and completed by Michka Saäl’s colleagues and friends, the filmmaker salutes the beauty of Montreal and its people. From the back alleys of the Plateau to artists’ apartments, from a passionate recycling advocate to a queen of the night, everyday heroes are the subject of this final film. They are humble folk, faithful to their personal ethical sense, determined to make the world more beautiful. They are true adventurers, especially as seen by Michka Saäl.

A Great Day in Paris

Within the jazz milieu of Paris, a story of music and friendship that revolves around questions of artistic exile, and begins and ends with a photograph.

Spoon

A dialogue is born in a prison between Spoon, an African American poet imprisoned for life, and me. After eight years of conversation, Spoon’s words console me, while my ear is a channel for him to the outside world. The film takes as a starting point the desire to measure the power of language, both his poetry and his activist prose, and to share notions of time.

Zero Tolerance

Being young is tough, especially if you're Black, Latino, Arab or Asian. In a city like Montreal, you can get targeted and treated as a criminal for no good reason. Zero Tolerance reveals how deep seated prejudice can be. On one side are the city's young people, and on the other, its police force. Two worlds, two visions. Yet one of these groups is a minority, while the other wields real power. One has no voice, while the other makes life-and-death decisions.

Zero Tolerance

Being young is tough, especially if you're Black, Latino, Arab or Asian. In a city like Montreal, you can get targeted and treated as a criminal for no good reason. Zero Tolerance reveals how deep seated prejudice can be. On one side are the city's young people, and on the other, its police force. Two worlds, two visions. Yet one of these groups is a minority, while the other wields real power. One has no voice, while the other makes life-and-death decisions.

La Position de l'escargot

Tunisian-born Myriam, a Sephardic beauty, lives in Montreal. Théo, her grad-student boyfriend, breaks up with her, and she's desolate. She house-sits for a friend for several weeks: during that time, her father arrives looking for her after 20 years, Théo realizes he misses her, and she meets the quirky Lou, a poetry-spouting squatter who introduces himself by clipping a lock of her hair during a movie; he later breaks into her flat to chat with her. She's angry with her father, confused by Théo, and delighted with Lou, whose free spirit and undemanding attention inspire her. Working out her feelings about her father gives her to key to decide what to do next.

A Sleeping Tree Dreams of Its Roots

A bold and eclectic cinematic style defines the work of filmmaker Michka Saäl and her friend, writer Nadine Ltaif as they journey from childhoods in the Middle East to their chosen home of Montréal. Saäl is Jewish, Ltaif is Arab. Together they overcome the divisive prejudices of their upbringing and embark on an engaging search for clarity, familiarity and historical significance among the immigrant communities of Montréal. Saäl uses super-8 home movies, old photographs, dramatizations and casual conversations to cross personal and political boundaries, giving voice to the varied ancestries of us all.

Far From Where

The cold, the snow, winter in black and white, all to reinforce missing the warmth, colours and scents of Tunisia.