Morena Terranova

About Last Year

The outskirts of Turin. Celeste, Giorgia and Letizia are three young women as different as they come, but all are linked by a common element: as cisgender women, they are guests in the ballroom scene. A subculture originally born within the African American and Latine LGBTQ community of New York, it is now quite present in Italy as well. It is precisely here that the three women have found a safe space where they can be masters of their own bodies without judgement, prejudices, or provocation. They are about to embark on a journey that will make them grow up and reflect on choices they must make for themselves: while Giorgia is increasingly rooted to her city, Celeste and Letizia are preparing to leave. A year-long coming-of-age story that uncovers dreams, desires, doubts, and the will to fight and to keep on living.

About Last Year

The outskirts of Turin. Celeste, Giorgia and Letizia are three young women as different as they come, but all are linked by a common element: as cisgender women, they are guests in the ballroom scene. A subculture originally born within the African American and Latine LGBTQ community of New York, it is now quite present in Italy as well. It is precisely here that the three women have found a safe space where they can be masters of their own bodies without judgement, prejudices, or provocation. They are about to embark on a journey that will make them grow up and reflect on choices they must make for themselves: while Giorgia is increasingly rooted to her city, Celeste and Letizia are preparing to leave. A year-long coming-of-age story that uncovers dreams, desires, doubts, and the will to fight and to keep on living.

About Last Year

The outskirts of Turin. Celeste, Giorgia and Letizia are three young women as different as they come, but all are linked by a common element: as cisgender women, they are guests in the ballroom scene. A subculture originally born within the African American and Latine LGBTQ community of New York, it is now quite present in Italy as well. It is precisely here that the three women have found a safe space where they can be masters of their own bodies without judgement, prejudices, or provocation. They are about to embark on a journey that will make them grow up and reflect on choices they must make for themselves: while Giorgia is increasingly rooted to her city, Celeste and Letizia are preparing to leave. A year-long coming-of-age story that uncovers dreams, desires, doubts, and the will to fight and to keep on living.

The Stonebreaker

After a serious accident Giuseppe is out of work. His son Antò dreams of being an archaeologist and thinks his father's glass eye is a sign he has superpowers. It's just the two of them now, since their beloved wife and mother Angela collapsed and died while working in the fields. Now they've lost their home, too, and have taken shelter in a tent city with other seasonal workers. Through all this, Giuseppe still summons up the strength to hug his son every night and tell him a story. He's promised Antò he will have his mother back, one day, and will do anything to keep his promise.

Miss Marx

In her public persona, Eleanor “Tussy” Marx was a translator, actress, a children’s rights activist and a persuasive labour organizer, a tireless powerhouse determined to carry on her father’s work. She held her own with twentieth century gods, including both her father and his colleague Engels. In her privately life, however, she was vulnerable and her attraction to the self-indulgent and self-important Edward Aveling led her into misery and ultimately proved fatal.