Myriam El Hajj
DirectorWriter
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Total Films
Also known as (female)
Place of Birth
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Birthday
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0
Total Films
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Also Known As (female)
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Place of Birth
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Birthday
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Zodiac Sign
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Genres
0
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
-
Also Known As (female)
-
Place of Birth
actor
0 Works
producer
0 Works
director
5 Works
writer
2 Works
other
1 Works
Diaries from Lebanon
Lebanon, 2018. War, politics or revolution: these are the choices faced by Georges, Joumana and Perla Joe. Three destinies and a shared desire to rebuild a troubled country. How is it possible to continue to dream when everything around is falling apart?Year:
2024
Diaries from Lebanon
Lebanon, 2018. War, politics or revolution: these are the choices faced by Georges, Joumana and Perla Joe. Three destinies and a shared desire to rebuild a troubled country. How is it possible to continue to dream when everything around is falling apart?Year:
2024
Diaries from Lebanon
Lebanon, 2018. War, politics or revolution: these are the choices faced by Georges, Joumana and Perla Joe. Three destinies and a shared desire to rebuild a troubled country. How is it possible to continue to dream when everything around is falling apart?Year:
2024
A Time To Rest
Riad, a middle-aged man, holds a firearm shop in a neighbourhood of Beirut. When he meets up with his friends or goes hunting with them, it is often with the aim of evoking together their memories of the civil war fought in the Christian militia. They live in nostalgia for the war that impassioned their youth. Director Myriam El Hajj builds solid architectural images that interrogate — and, perhaps, over time even manage to articulate — the intimate origins of violence that never seems to depart and a past that doesn't want to let go of the present.Year:
2015
A Time To Rest
Riad, a middle-aged man, holds a firearm shop in a neighbourhood of Beirut. When he meets up with his friends or goes hunting with them, it is often with the aim of evoking together their memories of the civil war fought in the Christian militia. They live in nostalgia for the war that impassioned their youth. Director Myriam El Hajj builds solid architectural images that interrogate — and, perhaps, over time even manage to articulate — the intimate origins of violence that never seems to depart and a past that doesn't want to let go of the present.Year:
2015