Аватар персоны Nadia Latif

Nadia Latif

DirectorWriter
Nadia Latif is a theatre maker and film director. She trained as a director at RADA under Bill Gaskill. She works exclusively in new writing, and has worked with writers including Abi Morgan, Harold Pinter, Ella Hickson, Brad Birch, Ben Ockrent and Naomi Wallace. She has worked for buildings including the Almeida, Royal Shakespeare Company, National, Bush, Theatre503 and Arcola. She has worked on some short documentaries, and is currently developing a number of short and feature length film projects. She dabbles in journalism, writing about the intersections of race, gender and popular culture.

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Total Films

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director

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They Heard Him Shout Allahu Akbar

They Heard Him Shout Allahu Akbar

Zaid, recently released from prison for an unknown crime, tries to reintegrate into his previous life, only to find that the arms of the state can control what he says and does
5.0

Year:

2022

White Girl

White Girl

Beth, a thirteen-year-old white girl, is seemingly lost. She wanders around east London, seeking out help from strangers. But over the course of an evening, her interactions with the city's dwellers take darker turns. Terror appears to lie around every corner.
4.7

Year:

2019

The Man in My Basement

The Man in My Basement

In the African American neighborhood of Sag Harbor, Charles Blakey is out of work, out of luck and on the verge of foreclosure on his ancestral home. A knock on the door from mysterious businessman Anniston Bennet brings a bizarre and lucrative proposition; rent his dusty stand-up basement out for the summer and receive enough money to clear his debts for good. Once Charles accepts, he finds himself led down a terrifying path that confronts his family’s ghosts and locks the men in a terrifying puzzle, at the heart of it race, the source of their traumas and the root of all evil.
0.0

Year:

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The Man in My Basement

The Man in My Basement

In the African American neighborhood of Sag Harbor, Charles Blakey is out of work, out of luck and on the verge of foreclosure on his ancestral home. A knock on the door from mysterious businessman Anniston Bennet brings a bizarre and lucrative proposition; rent his dusty stand-up basement out for the summer and receive enough money to clear his debts for good. Once Charles accepts, he finds himself led down a terrifying path that confronts his family’s ghosts and locks the men in a terrifying puzzle, at the heart of it race, the source of their traumas and the root of all evil.
0.0

Year:

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