Narges Kalhor

Shahid

Narges Shahid Kalhor is a director seeking to be rid of the "Shahid" (martyrs), who are too heavy a burden. From Bavarian bureaucracy and therapy to dancing with Iran’s past generations and their long shadows, she twirls through a heady autofiction.

Shahid

Narges Shahid Kalhor is a director seeking to be rid of the "Shahid" (martyrs), who are too heavy a burden. From Bavarian bureaucracy and therapy to dancing with Iran’s past generations and their long shadows, she twirls through a heady autofiction.

Shahid

Narges Shahid Kalhor is a director seeking to be rid of the "Shahid" (martyrs), who are too heavy a burden. From Bavarian bureaucracy and therapy to dancing with Iran’s past generations and their long shadows, she twirls through a heady autofiction.

Sensitive Content

Iran, 16 September 2022. Mahsa Amini dies after being beaten by the morality police. Demonstrations follow, bringing together thousands of women severely repressed by the regime. Narges Kahlor explores the videos of these revolts published on social media, paying tribute to these defenders of the people armed with telephones.

Where We Used to Swim

Lake Urmia in Northern Iran was once the largest lake in the Middle East. Human influence brought upon a devastating drought that the lake could not withstand, and today, just 5% of the original lake remains.

In The Name Of Scheherazade Or The First Beergarden In Tehran

Forget everything you think you know about storytelling! And get ready for a very surreal trip. Narges Kalhor plunges us in a funny and deconstructed joyful apocalypse of a web of stories while following four characters who moved to Germany in order to escape the dire and dangerous political situation of their countries.

In The Name Of Scheherazade Or The First Beergarden In Tehran

Forget everything you think you know about storytelling! And get ready for a very surreal trip. Narges Kalhor plunges us in a funny and deconstructed joyful apocalypse of a web of stories while following four characters who moved to Germany in order to escape the dire and dangerous political situation of their countries.

Becoming-Rabe

In his video installation Philipp Gufler is carrying on his engagement with political, artistic and social movements. In this work, Gufler focuses on the Munich based performance artist Rabe Perplexum, imitating or subverting the stylistic conventions characteristic of the 1980s. The video performance is derived from archival research and includes the original props and costumes used by Perplexum.

Becoming-Rabe

In his video installation Philipp Gufler is carrying on his engagement with political, artistic and social movements. In this work, Gufler focuses on the Munich based performance artist Rabe Perplexum, imitating or subverting the stylistic conventions characteristic of the 1980s. The video performance is derived from archival research and includes the original props and costumes used by Perplexum.

Shoot Me

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.