Negro Leo

A Vilã das Nove

Recently divorced, Roberta is living her best life, until she discovers that someone has turned her biggest secret into the plot of a soap opera — where she is the villain.

Joy Is the Acid Test

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

Subterrânea

An experimental trip about Brazil after H.O.

A Guerra de Michael

Negro Leo, recording session.

Riverock

A meeting with music, composer, poet and sociologist Negro Léo. He gives his thoughts on the development of music, Brazilian and international politics, the rise of neo-pentecostal evangelical churches and obsession over social media, in parallel with his own life story.

O Desmonte do Monte

Morro do Castelo was chosen by the Portuguese to found Rio de Janeiro city. It was an important historical and architectural reference. Despite its relevance, the hill was destroyed by urban reforms aimed to promote real state speculation.

Inaudito

Guitarist Lanny Gordin was one of the fundamental characters in the transformation of Brazilian music from the 1960s onwards. He electrified Gal Costa, Gilberto Gil, Caetano Veloso and Jards Macalé, among others. Lanny reveals his libertarian process of composition and current thinking, embarking on an unusual odyssey through China, his birthplace, and Brazil, the country where he lives.