Аватар персоны Nguyễn Đăng Bảy

Nguyễn Đăng Bảy

Director
People's Artist Nguyễn Đăng Bảy (b. Bắc Ninh province, 1/1/1923 - 6/2007) was a Vietnamese cinematographer. He began filming documentaries reporting the wartime activities of Hồ Chí Minh, after being given a camera in 1949 by his office. Afterwards, in 1960, he participated in his first feature film "The Construction Girl" (Cô gái công trường). The next year, his work in "The Passerine Bird" (Con chim vành khuyên, d. Trần Vũ & Nguyễn Văn Thông) won him the award for Best Cinematography at the 2nd Vietnam Film Festival in 1973. Nguyễn Đăng Bảy won this award again at the next festival in 1975 for the film "We'll Be Seeing Us Again" (Đến hẹn lại lên, d. Trần Vũ, 1974). In total, he was the director of photography in over 30 feature films, including "Rising Storm" (Nổi gió, d. Huy Thành & Lê Huyến, 1966); "Mrs. Dau" (Chị Dậu, d. Phạm Văn Khoa, 1981); "Holy Day" (Ngày lễ Thánh, d. Bạch Diệp, 1976); "Stormy Ride" (Chuyến xe bão táp, d. Trần Vũ, 1978); "That Day on Lam River" (Ngày ấy bên sông Lam, d. Nguyễn Ngọc Trung); etc.

01-01-1923

Birthday

Capricorn

Zodiac Sign

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Genres

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Total Films

Данг Бай Нгуен, Nguyen Dang Bay , Dang Bay Nguyen

Also known as (male)

Tu Son, Bắc Ninh province, Vietnam

Place of Birth

Popular works

Creative career

actor

0 Works

producer

0 Works

director

10 Works

writer

0 Works

other

9 Works

Mrs. Dau

Mrs. Dau

Based on the novel "When the light is out" by Ngô Tất Tố. Under the cruel domination of the French Indochina, a woman has to sell her daughter and four dogs to a rich family in the village to save her husband from being tortured when they can't pay their taxes.
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Year:

1981

Nesting Season in Hanoi

Nesting Season in Hanoi

Hanoi of 1978, milkwood pine flowers in autumn, and the anxiety of idealistic youths navigating postwar life. A young couple struggle to be together as individual happiness gets in the way.
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1978

The Holy Day

The Holy Day

A story about a Catholic Village by the sea in Northern Vietnam in the early 60's, where people lacked faith in the new Communist regime.
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1976

Until We Meet Again

Until We Meet Again

On a festive spring day in 1940, two young quan họ singers fall in love. But their relationship is soon ruthlessly disrupted by class injustices, imposed upon both—and many other Vietnamese—by the ongoing French colonial rule and the looming Japanese occupation.
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1974

Smoke

Smoke

A short film by Tran Vu
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1967

Floating Village

Floating Village

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1964

Phong Cảnh Hà Nội

Phong Cảnh Hà Nội

At which distance should one record a city, landscape and people? From the eyes of Bùi Đình Hạc and Nguyễn Đăng Bẩy, Hanoi is a promise: a Hanoi after the event of Điện Biên Phủ. Under the “sky of freedom”, to cite the commentary, panoramas of the capital’s renown landmarks unfold like a series of postcards. A harmonious world where nature and heritage of then and now coexist. In long shots, at a small scale, people can be seen dressing neatly, working and playing with delight. Hope is an obvious choice. A sense of future glimmers amidst vast expanses of open space.
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Rising Storm

Rising Storm

Phương and his sister Vân reunite after years of separation in the war, but their clashing political affiliations soon set them apart.
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1966

Remarriage

Remarriage

The story in the film is about the love between a man and a woman from the same village, Hoan and Can, who have two children together. But this love affair encountered many difficulties and pressure from family and social customs, forcing Can to leave his hometown and go to the mountains. As for Hoan, she was also prevented by her husband's family because they were afraid of having to redistribute their land. The film shows viewers the relationships and behaviors of Northern farmers in the context of the 1960s.
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Year:

1963