Nobuko Yoshiya

The Sweet Interns

The love and friendship adventures of seven internship medical students.

Miai Ryokou

A chance ride in a car leads to an unforgettable relationship. A misunderstanding leads to more misunderstanding... Love and thrills in this coming-of-age romance film.

Dreaming People

Shinya Ban (Masao Wakahara) returns from the south and is deeply disappointed when he learns that his mutual friend Yuriko (Mieko Takamine) is marrying Toshio (Toshio Hosokawa), the son of Zenpei Hamaguchi (Yoshito Yamaji), for her obligation. He encouraged the unhappy Yuriko and taught her how to make her marriage with Toshio a happy one. He makes a fresh start as an architect under the care of Ryosuke Shibata (Jiro Yanagi), who had taken care of his father, but Ryosuke's daughter Sumiko (Yoko Katsuragi) has feelings for him. Fujie Kakimoto's (Sadako Sawamura) son Koichi (Eiji Wakasugi) came to know about Sumiko and asked her to marry him after coming to Shinya to ask for her design. Knowing that Shinya's love for Yuriko would not be easily wiped away, Sumiko decided to marry Koichi, who had a bad leg. Shinya watches the beautiful bond between Koichi and Sumiko and decides to forget his past and move forward on the path to self-perfection.

Aiyoku no sabaki

Motoko Fujikawa works in the Seisen Church as an assistant to pastor Maki Inokichi. Motoko falls in love with Inokichi's virtuous character and devotes herself to the rehabilitation of a delinquent girl, gradually finding her job at the institution more worthwhile than the marriage recommended by her parents. Meanwhile, inside Inokichi's heart a flame of unknowing love for the single-minded Motoko begins to burn...

The Ataka Family

Soichi Ataka is the eldest son of Ataka family. Although mentally challenged, he's a person with a gentle heart. Soichi's wife, Kuniko is devoted to her husband and together the couple runs the family farm. Their happy family life comes to an abrupt halt when Soichi's half-brother, Joji returns with his wife Masako after failing in a business.

Yukiko and Natsuyo

Adaptation of a novel by Nobuko Yoshiya that was serialized in "Shufu no tomo" between 1939 and 1940.

Flower

Most of the students studying Ikebana with Kozoe Iemoto are daughters of rich Tokyo families. Kozoe meets and grows close to a doctor who proposes marriage but whose mother harbours ill feeling towards her because of an incident in the mountains where a child got into difficulties. Kozoe rejects the proposal but falls ill and when she recovers, decides to devote herself entirely to the world of flower arranging.

Bellflower

Following Flower Picking Diary (1939), Tamizo directed another film starring Hideko Takamine, based on a story by Nobuko Yoshiya. Takamine plays a poor young girl, trying to become a teacher on her quest to become independent to be able to look after her younger brother. But then tragedy strikes...

Flower Picking Diary

Based on the book Heaven and Maiko by Yoshiya Nobuko, it is the story of two girls of different family backgrounds in Osaka.

Family Diary

Two childhood friends go their own ways but meet again some years later after they have both married. They get re-acquainted, meet each others’ families, and all is well. Then the disagreements start...

A Man's Recompense: Part 2

Sabu Toshinobu is an archaeologist who has taken a liking to Kinuyo Tanaka, the daughter of an archaeologist at an inn in Izu, where he is visiting to conduct an excavation. Sabun gets along well with his childhood friend Michiko Kuwano, but his mother (Fumiko Okamura) is against her, so he gives up easily and ends up being married to Kinuyo Tanaka.

A Man's Recompense: Part 1

Sabu Toshinobu is an archaeologist who has taken a liking to Kinuyo Tanaka, the daughter of an archaeologist at an inn in Izu, where he is visiting to conduct an excavation. Sabun gets along well with his childhood friend Michiko Kuwano, but his mother (Fumiko Okamura) is against her, so he gives up easily and ends up being married to Kinuyo Tanaka.

A Husband's Chastity: Fall Again

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals.

A Husband's Chastity: If Spring Comes

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals.

A Husband's Chastity: If Spring Comes & Fall Once Again

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals. Based on a novel by Nobuko Yoshiya, there were originally two parts to the film (If Spring Comes & Fall Once Again), both supposed to be 85 minutes, but apparently what we have now is this 103-minute amalgam of the two.

The Scent of Pheasant’s Eye: An Episode from the Tales of Flowers

When Kaoru's sister-in-law Miyoko arrives at the family home, tender feelings start to grow between the two. However, the initial happiness that Kaoru finds in the company of her beautiful sister-in-law is frustrated by her brother Mitsuo, Miyoko's husband, who intervenes in their budding passion. Full of unspoken words, deeply suggestive mise-en-scène, and forbidden glances, Fukujuso is a compelling melodrama that surprises us with its potent homoeroticism, especially considering its year of production.