Noland Walker

Third Act

Filmmaker Tadashi explores his father Robert A. Nakamura's life as an influential Asian American artist and activist, while grappling with Robert's Parkinson's diagnosis, navigating themes of art, grief, and their father-son relationship.

Space: The Longest Goodbye

Social isolation affects millions of people, even Mars-bound astronauts. A savvy NASA psychologist is tasked with protecting these daring explorers.

Let the Little Light Shine

When a thriving, top-ranked African American elementary school is threatened to be replaced by a new high school favoring the community’s wealthier residents, parents, students and educators fight for the elementary school’s survival.

A Woman's Work: The NFL's Cheerleader Problem

Three brave cheerleaders take on the NFL, battling the massive, male-dominated sports league for recognition — and a raise.

Boogie Man: The Lee Atwater Story

Boogie Man is a comprehensive look at political strategist, racist, and former Republican National Convention Committee chairman, Lee Atwater, who reinvigorated the Republican Party’s Southern Strategy to increase political support among white voters in the South by appealing to racism against African Americans. He mentored Karl Rove and George W. Bush and played a key role in the elections of Reagan and George H.W. Bush.

Citizen King

Documentary about the final five, turbulent years in the life of civil rights activist Martin Luther King. The story begins at the Lincoln Memorial in August 1963, when a 34-year-old preacher galvanized millions with his dream for an America free of racism and comes to a bloody end five years later on a motel balcony in Memphis. King has since become a mythic figure, an activist whose works and image are more hotly contested, negotiated and sold than almost anyone else's in American history. (Storyville)

Third Ward TX

THIRD WARD TX is the story of how Project Row Houses used the tools of design, art and architecture to transform two blocks of "shotgun" houses reminiscent of New Orleans and other Black communities across the South into exhibition space, classrooms, gardens, and residential space. But their success in reducing crime, and making their "campus" a magnet for art enthusiasts, families, and local residents, also attracts deep-pocket real estate developers. Their bold response is to include community planning and new housing as a part of their art practice. If they can shape an area in Third Ward for the residents, there's a chance they can keep the neighborhood intact.