Аватар персоны Nonio Parejo

Nonio Parejo

Director
No biography

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Total Films

Also known as (female)

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Popular works

Creative career

actor

0 Works

producer

0 Works

director

8 Works

writer

0 Works

other

6 Works

28-F Andalucía

28-F Andalucía

On February 28, 1980, the Andalusian people were called to the polls in the Autonomous Referendum. Through the testimony of the citizens themselves.
0.0

Year:

1981

La Alameda

La Alameda

Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.
0.0

Year:

1978

La Alameda

La Alameda

Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.
0.0

Year:

1978

La Alameda

La Alameda

Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.
0.0

Year:

1978

La Alameda

La Alameda

Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.
0.0

Year:

1978