Norberto Soliño

Shoot First… Ask Questions Later

The White, the Yellow, and the Black (Italian: Il bianco, il giallo, il nero, also known as Shoot First… Ask Questions Later) is a 1975 Spaghetti Western comedy film. It is the last spaghetti western directed by Sergio Corbucci. Differently from his previous western films, this is openly parodic.

Tequila!

Shosena, a clever bank robber, is associated with "Jaguar" to take a big hit. They think the town where the bank owned dock Koven, a man who has against all the farmers of the place. His only son, George, is in love with the daughter of Rush, his most angry enemy. And ... coincidentally, Shosena and "Jaguar" to justify their stay in the village, get to work for him.

Pero… ¡en qué país vivimos!

Antonio Torres, a serious singer of Spanish popular music, and Bárbara, a vivacious yé-yé singer, face off in a chaotic contest promoted by Rodolfo Sicilia, an overworked publicist.

For a Few Dollars More

Two bounty hunters both pursue a brutal and sadistic bandit El Indio who has a massive bounty on his head.

Black Angel of the Mississippi

Early Spanish western. Ramon Torrado’s westerns remain among the most obscure ones. Of his four westerns, all shot around 1964.

The Sign of the Coyote

California, 1847. The territory is about to be incorporated into the United States. Parker, the new governor, is a cruel man who believes that the time has come to get rich regardless of the means, but he will soon find a mysterious opponent driven to end his tyranny.

Cristo Negro

After witnessing the murder of her father, the little Mikoa flees the plantation where he works as a slave. Janson, master of the plantation, and his daughter Laura, found lost in the jungle and decide to present to the Father Braulio, a missionary who welcomes him like his son. The young native is raised and educated in the mission, becoming a good man in love with his childhood friend, however, still has much hatred for the person who killed his father, Charles, a cruel white overseer who now at the service of revolutionary blacks.

The Shadow of Zorro

A battle between revolutionary Mexicans and the U.S. cavalry brings Zorro onto the scene to enact vengeance for violent acts incurred by the cavalry Sergeant. Once the Sergeant is killed, Don Jose de la Torre retires from being Zorro and settles down to live a quiet life. The brother of the Sergeant, in an act of his own justice, dons the costume of Zorro and terrorizes the countryside. In an act to draw out the true Zorro, the imposter kidnaps Don Jose's wife, making him once again don the mask to rescue her.