Nutsa Tsikaridze

Holy Electricity

When young Gonga and his cousin Bart find a suitcase full of rusty crosses in a scrap yard, Bart gets the idea to turn them into neon crucifixes and sell them door-to-door to the gullible inhabitants of Tbilisi. Their crusade through the suburbs of the city becomes a quest for love and friendship.

Burning Sun

After meeting with death for the first time, four 10-year-old kids find that their familiar enviroment has become ominous.

Burning Sun

After meeting with death for the first time, four 10-year-old kids find that their familiar enviroment has become ominous.

Cotton Candy

Grandmother while watching the performance, she first time gets into the dialogue with herself, before the moment she did not have time. After entering the dialogue with herself, it is a dangerous dialogue as psychologically it will form a some kind of a conflict. The conflict might expose outside or might stay inside in the interior. During the circus performance grandmother goes through the rite of passage.

Ana

Anna is a 45 years old woman, living alone with her mother in the center of Tbilisi. One night, Anna's life takes a different turn, when at the concert, she sees the face of a woman in the crowd. How can one word change someone's life? How other's life influences our own? How can a person lose her face and identity?

Winter Which Wasn’t There

Winter which was not there’ can be seen as a metaphor for the liberation of an individual from his or her own history. In the film, a man watches a monumental concrete sculpture of a man being hoisted out of the sea. The sculpture is clearly reminiscent of a classic heroic monument but in a strange, and somewhat uncanny way, the face and figure of the sculpture look amazingly like the man who’s watching it rise out of the sea.