Oksana Savchenko

Batik's Room

We meet 16-year-old Fedot as he strangles himself with a string, standing in front of a mirror. The doorbell rings. Two girlfriends come to visit him. Kiri is 16, she is sexy and cheeky. Dini is 14, she is melancholic and cannot speak after a psychological trauma. Teenagers drink Papa Carlo cocktail. Fedot's mother, who recently moved to Kyiv with her lover, is calling via Skype. She does not know that Batik (Fedot's father) went to the store forty days ago and disappeared.

Crow

Olia and Zina are sisters. Olia has a husband and children. Zina has a parrot and a cat. Olia moved to Germany, she couldn’t handle her mother who was dying of terminal illness. Zina has left her art career and dedicated herself to mother. Both of the women suffer from insults, innuendos, and self-reproaches. They’re parted by borders and social status. But there’s still something that urges them to arrange a meeting, even if a meeting is going to be virtual. And there’s still something that saves them from tragedy that is about to occur during their meetings.