Oleg Morozov

Until the Next Resurrection

Shortly after the war, Kaliningrad is populated by Russian newcomers and becomes a bleak home to heroes whose inevitable slide towards a tragedy is somewhat similar to the fates of protagonists of classical Russian literature. The film portraying their story had been shot over a period of more than 10 years and doesn't falter eye to eye with physical pain.

Until the Next Resurrection

Shortly after the war, Kaliningrad is populated by Russian newcomers and becomes a bleak home to heroes whose inevitable slide towards a tragedy is somewhat similar to the fates of protagonists of classical Russian literature. The film portraying their story had been shot over a period of more than 10 years and doesn't falter eye to eye with physical pain.

Until the Next Resurrection

Shortly after the war, Kaliningrad is populated by Russian newcomers and becomes a bleak home to heroes whose inevitable slide towards a tragedy is somewhat similar to the fates of protagonists of classical Russian literature. The film portraying their story had been shot over a period of more than 10 years and doesn't falter eye to eye with physical pain.

Leningrad. November

After a ten year long stay in West Germany, Max returns to the Soviet Union to visit his deadly ill father in Leningrad. There he finds a friend in a man who calls himself Igor and he begins a love-affair with the deafmute Lena. Around Max' relationship to his father, Igor and Lena, losely held episodes give a many fasetted portrait of Leningrad and its inhabitants. In the eyes of the returning Max, the city is at once well-known and foreign. Lyrically saturated images and sophisticated editing contributes to making the film an expressive description of a changing city.

Leningrad. November

After a ten year long stay in West Germany, Max returns to the Soviet Union to visit his deadly ill father in Leningrad. There he finds a friend in a man who calls himself Igor and he begins a love-affair with the deafmute Lena. Around Max' relationship to his father, Igor and Lena, losely held episodes give a many fasetted portrait of Leningrad and its inhabitants. In the eyes of the returning Max, the city is at once well-known and foreign. Lyrically saturated images and sophisticated editing contributes to making the film an expressive description of a changing city.

Leningrad. November

After a ten year long stay in West Germany, Max returns to the Soviet Union to visit his deadly ill father in Leningrad. There he finds a friend in a man who calls himself Igor and he begins a love-affair with the deafmute Lena. Around Max' relationship to his father, Igor and Lena, losely held episodes give a many fasetted portrait of Leningrad and its inhabitants. In the eyes of the returning Max, the city is at once well-known and foreign. Lyrically saturated images and sophisticated editing contributes to making the film an expressive description of a changing city.

Confession: A Chronicle of Alienation

Set in the underground drug culture that has evolved among alienated Soviet youth, Georgi Gavrilov’s Confession explores the life of a 23-year-old Moscow heroin addict at several intervals over a two-year period.

Yahha

A kaleidoscopic living diary of the underground rock scene in Leningrad just before perestroika.