Olga Grossmannová

Lightning under Tatras

Protagonists and new context of the insurrectionary drama in the critical interpretation of contemporary Slovak and Czech historians. In postwar Czechoslovakia, the image of the Slovak National Uprising (SNP) was subordinated to the ideological needs of the Communist Party and the objective interpretation only allowed the free conditions after 1989. While in the Czech countries this event disappears from general awareness, for Slovaks, it remains a key aspect of modern history. The current interpretation describes the insurrection not only as a Slovak struggle with fascism and German Nazism, but also as a duel about the form of the next Czech-Slovak relations.

Kouzelný kopec

Documentary about Barrandov studios.

Démoni Josefa Mánesa

He waged a heroic struggle for the national character of artistic expression, but in the struggle for his love he failed miserably... Who was Josef Mánes (1820–1871) and are we supposed to imagine him in Slavic slang as a combative Czech who, with the dogged expression of an uncompromising revivalist, clutches his war tools - a palette with colors and a brush? This is how the traditional nationalist iconography of the 19th and 20th centuries would like to see him, but other images come closer to the truth. For example, the one in which we see Mánes as a neglected and downtrodden person who madly spews out a torso of incomprehensible sentences. What was the inner world of this genius artist, who bought moments of happy creation very dearly in a struggle with various demons and with himself?