Аватар персоны Oliver Ressler

Oliver Ressler

DirectorProducerWriter
Oliver Ressler, is an Austrian artist and filmmaker producing installations, projects in the public space, and films on issues such as economics, democracy, global warming, forms of resistance and social alternatives.

01-01-1970

Birthday

Capricorn

Zodiac Sign

-

Genres

0

Total Films

Also known as (male)

Knittelfeld, Austria

Place of Birth

Popular works

Creative career

actor

0 Works

producer

2 Works

director

16 Works

writer

1 Works

other

3 Works

Occupy, Resist, Produce – Vio.Me.

Occupy, Resist, Produce – Vio.Me.

In mid-February 2013 Vio.Me. began producing organic cleaning products and organic soap. Vio.Me. formed a cooperative in order to operate legally. However, Vio.Me. does not operate as a traditional cooperative. The workers do not consider the company their property but a common good that should serve the community. In the film the Vio.Me. worker Makis Anagnostou states that: “Our proposal is addressed to the whole of society, because we, as the working class, have proven that we can self-manage a factory, that we can do it ourselves, but our proposal that reaches out to society is that we can all self-manage our lives. This is why it concerns the whole of society. The factory is not a closed space, nor are we the vanguard of the working class.
0.0

Year:

2020

Disobbedienti

Disobbedienti

The Disobbedienti emerged from the Tute Bianche during the demonstrations against the G8 summit in Genoa in July 2001. The “Tute Bianche” were the white-clad Italian activists who used their bodies – protected by foam rubber, tires, helmets, gas masks, and homemade shields – in direct acts and demonstrations as weapons of civil disobedience. The Tute Bianche first appeared in Italy in 1994 in the midst of a social setting in which the “mass laborer,” who had played a central role in the 1970s in production and in labor struggles, was gradually replaced in the transition to precarious post-Fordist means of production. “Disobbedienti” thematizes the Disobbedienti’s origins, political bases, and forms of direct action on the basis of conversations with seven members of the movement.
5.0

Year:

2002