Olívia Patto

Airless

I recorded four years of the life of a great friend of mine in the attempt to catch some sort of catharsis. As I tried to deal with endings that were taking place in my life, the inevitable happened to him. His mother passed away without leaving any record on video. This is a movie to refrain from the fear of forgetting.

blasFêmea

An audiovisual experiment showing female power in its various possibilities. It evolves through three narrative moments: the prologue, the central narrative, and the epilogue. The first materializes and at the same time rebels against the cultural construction of the "cult of the Phallus". In the second moment, we can see the formation of a network of protection and mutual help among women, exalting their bodies and their powers. And the last moment is practically a making off, with real scenes of all the women in the cast recording the video.

The Face of the Woman in Debt

The faces of ten women, actual mothers of [pH2]: estado de teatro’s members, expand the face of Helena Failure and enact the misfortunes that tackled her life.

Fish Head

Marcela disappeared without leaving a trace. Those who were left to deal with her absence try to figure out who and what Marcela really was and the reasons behind her disappearance.