Аватар персоны Olivier Mosset

Olivier Mosset

ActorDirectorProducer
Olivier Mosset (born 1944 in Bern, Switzerland) is a Swiss visual artist. He lives and works in Tucson, Arizona.

05-11-1944

Birthday

Scorpio

Zodiac Sign

-

Genres

5

Total Films

Also known as (male)

Bern, Switzerland

Place of Birth

Popular works

Creative career

actor

5 Works

producer

1 Works

director

2 Works

writer

0 Works

other

0 Works

Bikers or Vanity in Leather

Bikers or Vanity in Leather

1978. USA. A performance film composed by Eric Mitchell, Maripol. Cinematography by James Nares. Staging by Mitchell. Styling by Maripol. With Edwige Belmore, Maripol, Mitchell, Olivier Mosset, JP Roland Levy. Video. 30 min.
0.0

Year:

1978

Fun and Games for Everyone

Fun and Games for Everyone

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarized image reminiscent of thick strokes of a paintbrush.” - Philippe Azoury
6.6

Year:

1969

Ici et maintenant

Ici et maintenant

Maddening and mysterious,with the elements—ocean, wind, rocky terrain—dominating the scenes.
0.0

Year:

1969

Destroy Yourselves

Destroy Yourselves

Detruisez-vous is a ‘primitive’ film which breaks all the rules of film-making. It’s the first Zanzibar film (and predates the very naming of the movement), an attempt to make a film which defies the rules of production, the production line of commerce
7.4

Year:

1969

Homeo

Homeo

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
5.2

Year:

1967