Oriol Rovira

Trieste - Tesalónica

Trieste-Thessaloniki is a journey undertaken by a father and son through the Balkans in a camper van. The father is returning after 25 years to places he covered as a journalist during the war in ex-Yugoslavia. He is accompanied by his son, who is filming the experience. Along the way, marks left by those events endure to the present day in this frontier region between the East and the West, a region where now we find new refugees trying to reach Europe, fleeing from the same old conflicts.

Trieste - Tesalónica

Trieste-Thessaloniki is a journey undertaken by a father and son through the Balkans in a camper van. The father is returning after 25 years to places he covered as a journalist during the war in ex-Yugoslavia. He is accompanied by his son, who is filming the experience. Along the way, marks left by those events endure to the present day in this frontier region between the East and the West, a region where now we find new refugees trying to reach Europe, fleeing from the same old conflicts.

Trieste - Tesalónica

Trieste-Thessaloniki is a journey undertaken by a father and son through the Balkans in a camper van. The father is returning after 25 years to places he covered as a journalist during the war in ex-Yugoslavia. He is accompanied by his son, who is filming the experience. Along the way, marks left by those events endure to the present day in this frontier region between the East and the West, a region where now we find new refugees trying to reach Europe, fleeing from the same old conflicts.

The Outsider

Sito hates the countryside, the smell of slurry and his village life, but he has never left the rural area where he was born, nor does it seem that the possibility of doing so can end his discomfort. Attracted by a strong desire towards the male erotic, Sito lives immersed in a crusade to destroy the stimuli that connect him with those repressed feelings that he has latent inside him. From these circumstances, violence appears uncontrollably.

The Outsider

Sito hates the countryside, the smell of slurry and his village life, but he has never left the rural area where he was born, nor does it seem that the possibility of doing so can end his discomfort. Attracted by a strong desire towards the male erotic, Sito lives immersed in a crusade to destroy the stimuli that connect him with those repressed feelings that he has latent inside him. From these circumstances, violence appears uncontrollably.