Pako Ruiz

HADO

Javi, an unfaithful, powerful man, drives down a poorly lit infrequently traveled road by night. He’s returning home from a supposed work trip. In the blink of an eye, one mistake will change Javi’s live forever.

Olea… ¡Más alto!

An account of the life and work behind the camera of Spanish filmmaker Pedro Olea, whose very personal viewpoint, interested in all kinds of subjects, approached in very different ways, but always with a very characteristic style, has analyzed the social and political life of Spain for more than five decades.

A March to Remember

Vitoria, Basque Country, Spain, March 3rd, 1976. After several months of protests demanding decent working conditions, representatives of struggling workers call for a general strike. In the church of San Francisco, in the working class neighborhood of Zaramaga, thousands of workers fill the temple in assembly. Outside, many more people gather and, in the middle, about a hundred heavily armed police officers wait to act.

A March to Remember

Vitoria, Basque Country, Spain, March 3rd, 1976. After several months of protests demanding decent working conditions, representatives of struggling workers call for a general strike. In the church of San Francisco, in the working class neighborhood of Zaramaga, thousands of workers fill the temple in assembly. Outside, many more people gather and, in the middle, about a hundred heavily armed police officers wait to act.

A March to Remember

Vitoria, Basque Country, Spain, March 3rd, 1976. After several months of protests demanding decent working conditions, representatives of struggling workers call for a general strike. In the church of San Francisco, in the working class neighborhood of Zaramaga, thousands of workers fill the temple in assembly. Outside, many more people gather and, in the middle, about a hundred heavily armed police officers wait to act.

Maybe

In March of 2003, a young Basque poet and four friends-three musicians and an artist-came to New York City almost by chance, to do a half dozen bilingual poetry evenings, with music. "The six or seven hundred thousand Basque speakers in the world today "can fit into a New York neighborhood," the poet, Kirmen Uribe, says in AGIAN / MAYBE. "So what does a community that fits into a neighborhood have to offer the world? Or in that city that's the center of the world, what can it offer?" What the five discovered there surprised them. AGIAN / MAYBE shows how something that seemed to begin in New York in 2003 in fact had its origins long before. AGIAN / MAYBE is a ping-pong contemplation, with music, of the five histories behind the whole, and makes a guess of its own at possible outcomes.

Looking for Chencho

When a tourist bus stops at a gas station, Chencho, one of the passengers, decides to go to the toilet.