Paula Jansone

TESA MAN

“TESA MAN” is a music film – a poetic exploration of the relationship between collective creativity and the natural world. The film blurs the lines between reality and imagination, inviting viewers into an animistic experience where music performed by the band Tesa in a frozen Baltic landscape attempts to transform air, steam, ash and clay into something much more alive.

Consolation

A young man - Rens arrives to the apartment building in microdistrict. Shutting himself off from the world around him, he settles in one of the apartments in the house, which only has a television and a collection of videotapes. Spending his days in the secluded environment, his only "guests" are the neighbor-woman in the opposite window of the house, the food delivery girl Mon and a dark being whose rare visits are unpredictable and yet closely related to the "burdens" the young man brought with him from the past. Over time, trust and affection for the not- so-talkative food delivery girl grows, and the connection between the apparitions in the apartment and Ren's guests becomes more and more obvious. The real begins to merge with the unreal, the stroboscopic fragmentaryness of consciousness drives Ren into a corner and he is forced to find a solution.

Sacrificial Lamb

In this allegory about paradise lost, Ildze yearns to find peace and fulfilment by moving from the city to the countryside. However, her thoughts are consumed by the illness of her child, her estrangement from her husband and his absence. In the meantime, Ildze’s grief is enveloped by nature’s promise of comfort, which never arrives. She tries to understand where to find the beginning of the cycle of sacrifice and where to find its end. And who is her victim, or is it herself?