Pauline Quinonero

The Oasis I Deserve

Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.

Big Boy

Sami and Julie, twenty-something, live together in a small village in the south of France. One evening, they get ready to shoot a clip for Sami's new song, but it looks like it's going to be more complicated than they expected.

Big Boy

Sami and Julie, twenty-something, live together in a small village in the south of France. One evening, they get ready to shoot a clip for Sami's new song, but it looks like it's going to be more complicated than they expected.

Burn the Cities, Burn the Sky

“At last it's party time, at last there's the fire,“ sing Clem and Ibra in the middle of a deserted village. Succumbing to the heat wave, languor consumes them. In the distance, the lights of the city and the celebration attract them.

My Lover The Killer

My Lover the Killer is the former title of the album by Lydia Lunch & Marc Hurtado released in 2016. The music, first languorous then abrasive, accompanies the verbal flow of the transgressive poetess who comes back to an intimate and violently tragic episode of her own life: her love and death story with Johnny O’Kane. With her long-time collaborator, Lydia Lunch, face to face with the camera, transforms this naked scene full of troubled anger into a deep dark confession. Hurtado’s images are saturated, grainy, willingly experimental and clash with those of an archive of furious performances. Just like the one who seeks to avoid taking part in her own prophecy.

Blackbirds

It's back to school soon and Camélia, 15, has a somewhat special service to ask Salah, her best childhood friend: she would like to practice french kissing before the end of the summer.