Аватар персоны Peter Wollen

Peter Wollen

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5

Total Films

Also known as (female)

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Creative career

actor

5 Works

producer

1 Works

director

16 Works

writer

7 Works

other

0 Works

Kangaroo: A Love-Hate Story

Kangaroo: A Love-Hate Story

This groundbreaking film reveals the truth surrounding Australia’s love-hate relationship with its beloved icon. The kangaroo image is proudly used by top companies, sports teams and as tourist souvenirs, yet when they hop across the vast continent some consider them to be pests to be shot and sold for profit. KANGAROO unpacks a national paradigm where the relationship with kangaroos is examined.
8.7

Year:

2018

Gene Kelly: Anatomy of a Dancer

Gene Kelly: Anatomy of a Dancer

American Masters Series. Documentary on Gene Kelly that gives insight into his dancing, how he formed a style (first "blue collar dancer") and developed different cinematique techniques, such as brilliantly shot dancing sequences.
7.7

Year:

2002

Home Movies 1971-81

Home Movies 1971-81

Home movies shot on Super 8mm by W+B Hein over 10 years.
0.0

Year:

1985

Imagining October

Imagining October

Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.
3.0

Year:

1984

Penthesilea: Queen of the Amazons

Penthesilea: Queen of the Amazons

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.
6.5

Year:

1974