Аватар персоны Petra Seliškar

Petra Seliškar

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Petra Seliškar was born in 1978 in Ljubljana, Her first childhood passion was the theater which brought her to join the puppet theater and school GILS KODUM. After finishing high school, she went to the Netherlands to study directing at the Academy of film and television (BA Hons. Nederlandse Film en Televisie Academie). She later pursued undergraduate studies in directing and postgraduate studies of production at the the Northern media school in Sheffield in England. In 2003 she founded the Petra Pan Film Production, which primarily produces and distributes documentary films. She now lives and works in Ljubljana, Skopje and elsewhere around Europe. She is the proud mother of Terra and Nil.

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Total Films

Also known as (female)

Ljubljana, Slovenia

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actor

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producer

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director

15 Works

writer

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Ashes Settling In Layers On The Surface

Ashes Settling In Layers On The Surface

Based on diaries and photographs found in the houses destroyed during the Russian war against Ukraine, the film captures the stories of Mariupol, including that of the director’s family. It centers on the value of freedom and human life itself over the nonsensical statements repeated by totalitarian regimes, as witnessed throughout the history of the Azovstal plant.
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Days of Madness

Days of Madness

Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.
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2018

My World Is Upside Down

My World Is Upside Down

A music documentary based on the work of Slovenian multihyphenate artist Frane Milčinski Ježek. His satyrical poems and songs from the 1950s and 60s today sound more urgent and topical than ever, and are covered by musicians ranging from Finnish avant-garde accordion player Kimmo Pohjonen, to legendary Croatian songstress Josipa Lisac, to the former Bad Seed Hugo Race. The music is produced by indie rock icon Cris Eckman (The Walkabouts), and expertly mixed with archive footage of Jezek's own performances and skits, creating a touching and thought-provoking narrative.
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2016