Аватар персоны Piero Bargellini

Piero Bargellini

DirectorActorWriter
Pierfrancesco Bargellini (Arezzo, 1940-1982), also known as Piero, bought his first movie camera when he was 20 and pointed it at his youthful passions: competition cars and motorcycles. A few years later he met Marco Melani, who became his cinema companion and an actor in his films. He started to make a name for himself in the world of amateur filmmakers and won a prize at the festival of Montecatini. One of the members of the jury was Massimo Bagicalupo, a founder of the Cooperativa cinema indipendente, and he invited Bargellini to enter the brand-new world of Italian underground cinema. While working as an agronomist at the Val di Chiana Irrigation Office he continued to make films in his free time, but shortly afterwards, with the notice and support of the magazines “Cinema & Film” and the group “Filmstudio 70,” he left his job and moved to Rome. Here, during the early 1970s he worked occasionally for RAI and carried on his activity as an independent director in the world of underground cinema. During this period he suffered a series of misadventures with the law and ended up fleeing to Turkey with his wife Oriana and their daughter Rebecca in 1975. After returning to Italy he continued experimenting, jotting down his discoveries in a series of notebooks and fruitlessly trying to find financing for various projects for experimental programs for Rai. Bertolucci and Storaro consulted with him during preparation for La Luna (1981) to try to resolve problems with various special effects. But Bargellini progressively lost contact with the world of cinema and shortly thereafter his troubles with the law began. He was found dead, officially because of an overdose, at dawn on July 10, 1982.

05-01-1940

Birthday

Capricorn

Zodiac Sign

-

Genres

5

Total Films

Also known as (male)

Arezzo, Tuscany, Italy

Place of Birth

Popular works

Creative career

actor

5 Works

producer

0 Works

director

34 Works

writer

1 Works

other

1 Works

Dove incominciano le gambe

Dove incominciano le gambe

Images of everyday life in the family for Bargellini, his wife Oriana and little Rebecca alternate with others whose meaning is less clear (the crypt of a vampire, a flower that blooms).
0.0

Year:

1974

Migration

Migration

This is the third and most extensive part of the cycle Eryngium. The essential theme is the migrations that have populated our world, starting from ancient India and descending into Greece and Western Europe.The film’s conceit is that this movement is still in progress. The characters are shown in transit, as if they were part of an ancient caravan. While they move they make up myths and they worship the Great Goddess,impersonating her story. Thus she appears as young girl and mature woman, and is evoked in the stories and music given on the soundtrack: the Virgin of Bach’s Magnificat, the Sulamite of Stockhausen’s Song of Solomon (“I am black but comely”), tales by Herodotus, Kafka, Villon (as set to music by Ezra Pound). A section is devoted to the idea of celebration, where the migrants get together to worship the life-principle. Later the film moves back to the individual and solitude.
0.0

Year:

1970

Erinnerung An Die Zukunft

Erinnerung An Die Zukunft

Unfinished feature film by Piero Bargellini.
0.0

Year:

1970

Bacino Casa del lupo o di Tonino Massimo e Piero

Bacino Casa del lupo o di Tonino Massimo e Piero

It exists only in a fragmented state.
0.0

Year:

1970

L'incompiuta

L'incompiuta

A very young Marco Melani is divided between reading cinema magazines and watching car racing on TV.
0.0

Year:

1965