Rean Mazzone
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Total Films
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Also Known As (female)
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Total Films
Also known as (female)
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Total Films
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Also Known As (female)
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producer
7 Works
director
7 Works
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I racconti del Santo Nero
Year:
2021
Journey into the Twilight
A portrait of Italy in the 60's and 70's, based on films by Marco Bellocchio.Year:
2021
Mafia Is Not What It Used to Be
Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.Year:
2019
Belluscone: A Sicilian Story
This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.Year:
2014
Antonio Vivaldi - A Prince in Venice
The life of Antonio Vivaldi, the great Italian composer and musician of the 17th century.Year:
2007
Toto Who Lived Twice
The film has three stories. First is about local village idiot Paletta, who can not afford the services of a whore and so steals a locket from a holy shrine belonging to local mafia don. Second shows the story of betrayal of Pitrinu (who's dead now) by his lover Fefe. Final episode is about lowlife Lazarus. He is killed by mob boss Toto, but raised from the dead by a local messiah, who is also known as Toto (and is played by same actor).Year:
1998
A memoria
The Italian duo Ciprì & Maresco, known to be cynical deconstructionists, weave a fascinating film around memories of a decadent Sicily. Ruins, memories of ruins - memories are ruins. This thoroughly surrealist piece unfolds like a dream, with no clear direction but the haunting feeling of familiarity and the ready acceptance of otherness as oneness.Year:
1996