Аватар персоны Reiji Miwa

Reiji Miwa

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Total Films

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Creative career

actor

0 Works

producer

17 Works

director

17 Works

writer

0 Works

other

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A Keg of Powder

A Keg of Powder

In the third installment in the "Kokusai himitsu keisatsu" series, agent Jiro Kitami investigates the mysterious disappearance of a prominent scientist. Edited into Woody Allen's "What's Up, Tiger Lily?" along with the 4th film in the series, "Key of Keys".
0.0

Year:

1964

Blood and Diamonds

Blood and Diamonds

A group of criminals whose diamond heist goes wrong retreat to a WWII era bunker where tensions begin to rise.
0.0

Year:

1964

Interpol Code 8

Interpol Code 8

Agent Jiro Kitami attempts to stop a smuggling ring from shipping arms to Vietcong guerrillas.
0.0

Year:

1963

The Weed of Crime

The Weed of Crime

Toho-produced crime drama involving the drug trade.
0.0

Year:

1962

The Witness Killed

The Witness Killed

Japanese neo-noir crime drama movie directed by Jun Fukuda
0.0

Year:

1961

A Man in Red

A Man in Red

Takashi, who took the blame when his father shot a gangster, returns home after serving a four-year sentence, only to find it infested with yakuza running a dope ring. Battling gangsters all the way, Takashi searches for his former girlfriend, now a drug addict.
0.0

Year:

1961

Blood on the Sea

Blood on the Sea

Four fishermen friends are caught up in a piracy plot.
0.0

Year:

1961

Big Shots Die at Dawn

Big Shots Die at Dawn

An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.)
6.2

Year:

1961

The Merciless Trap

The Merciless Trap

Taut thriller about a too-perfect criminal case against an ex-convict that makes a nosy detective suspicious.
7.0

Year:

1961

Get 'em All

Get 'em All

Gang of robbers quarrel about the loot, but when one of them gets killed, his younger brother seeks them out to ice them one by one.
6.0

Year:

1960

The Lost Alibi

The Lost Alibi

Suspense drama about a married salaryman whose affair with one of his co-workers is compromised when, returning from a clandestine meeting with his lover, he runs into a neighbor who is later accused of murder. Questioned by police about the neighbor, and blackmailed by his lover's neighbor, the salaryman's lies lead him on a path to destruction.
5.2

Year:

1960

I Want to Be a Shellfish

I Want to Be a Shellfish

On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.
10.0

Year:

1959

Adults Cannot Understand - Record of Youth

Adults Cannot Understand - Record of Youth

The first work of 27-year-old director Eizo Sugawa, contrasting a politician father and his son, a drummer in a student band. It depicts the conflict between old and new morals, and the lives of young people.
0.0

Year:

1958

Summer Clouds

Summer Clouds

A war widow with a young boy manages a farm with her bossy mother-in-law. When a reporter comes to interview her, the two begin an affair. He turns out to be married and won't leave his wife. Her older brother tries to marry off his children and hang on to/ extend his farm through an advantageous marriage in the face of threatened land confiscation and the desire of his children to get comfortable urban jobs instead of the backbreaking work in the paddy fields under parental control.
7.5

Year:

1958

(Street of Wandering Pigeons) When Will the Birds Come Home

(Street of Wandering Pigeons) When Will the Birds Come Home

Yoshida Denkichi does loses sight of his wife Chiyoko and daughter Toyoko during the war, and is taken in by a familiar woman, Oshige, and becomes the owner of "Fujimura" in the town of Hato. Eiko is a timid woman who hates Terada, a watchmaker who is obsessed with her; Tamie is a hard worker who asks for money from customers to support her mother and daughter Teruko; Tane, who dreams of the day they can be together, gives money to her lover Takeda; Machiko, an apres girl, is selective about her customers in the name of romance. They are women working in the red light district at "Fujimura."
0.0

Year:

1955