Rodrigo Lima

Vítimas do Dia

Elder and Daiane are a couple in the midst of an urban war: while he fights to survive, their first child is about to be born.

Flashes of Critiques Metaphysical Murmurs

A montage of 48 Brazilian films made between 1898 and 2022. The moments, the frames, where we feel a glimmer, an innovation, some experimentation and emotion coming to us at different times. A fine thread that runs through cinema since its birth, and even before.

Ideogram

Sequence plans in full freedom of investigation of bodies, of their shadows, means and desires. It is the extension of the movement and the apprehension of the light on the frame. The end is loud. A visit to Brazil's visual past. About exploring these images (or ideas) to the fullest to innovate language. Swallowing the old and, from there, creating the new. It reminds us a little of what marginal cinema was like.

Capitu and the Chapter

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.

The Long Voyage of the Yellow Bus

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

The Long Voyage of the Yellow Bus

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

The Long Voyage of the Yellow Bus

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Manguebit

Mangue Beat, a musical and aesthetic movement which emerged in Pernambuco in the 1990s, transformed the visibility of the peripheries and cultural manifestations of the metropolitan area of Recife and placed the state on the map of the world music market with the launching of bands like Chico Science and Nação Zumbi and Mundo Livre S.A. The film experiments with the freedomn of thought of the Mangue using a plural language, which brings togther ideias and ideals, refleting the daring which resulted in the great symbol of the movement: a satellite dish planted in the mud of the estuaries - the Mangue.

Island of the Sun

In a primitive future, Amerindian, Mediterranean graphics are drawn, facing a silent and decrepit bay of Guanabara.

Nietzsche Sils Maria Rochedo de Surlej

Bressane (together with his partner Rosa Dias and young filmmaker Rodrigo Lima) guide us through the beautiful Swiss Sils Maria, where Nietzsche spent no less than eight summers. In his letters, Nietzsche indicates which spots brought him to a different understanding of philosophy. He discovered, beyond the philosophical text, a source for ideas in the pure air, in the mountain landscapes, in the water of the lakes, and in the age-old forests.

Nietzsche Sils Maria Rochedo de Surlej

Bressane (together with his partner Rosa Dias and young filmmaker Rodrigo Lima) guide us through the beautiful Swiss Sils Maria, where Nietzsche spent no less than eight summers. In his letters, Nietzsche indicates which spots brought him to a different understanding of philosophy. He discovered, beyond the philosophical text, a source for ideas in the pure air, in the mountain landscapes, in the water of the lakes, and in the age-old forests.

Calypso

Calypso and Ulisses live in exile in a collapsing world.

Seduction of the Flesh

A delicate and tenacious writer, widowed three years ago, engages in frequent conversations with a parrot. However, she’s always observed by a large portion of raw meat.

Oblivious Memory

Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.

Araby

André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

The Serpent

Two sisters live in the same house with their husbands in bedrooms separated by a single wall. One of the sisters, Lígia, is still a virgin. Dissatisfied, she wants to dissolve the marriage and thinks about suicide. To prevent her sister’s suicide, Guida offers her own husband, Paulo, for one night.

Beduino

A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.

The Mirror

A man is mysteriously called to the entrance gate of an abandoned country home. As if she was coming out of a water mirror, a woman emerges from the mud at the bottom of a lake. As they approach each other, a spell is cast. Together they experience the enchantment of hallucination, memory and dreams. Reflections on the water will reveal secrets hidden in the nature of the soul. The Mirror is a recreation of Machado de Assis’ (1839-1908) homonymous tale

The Mirror

A man is mysteriously called to the entrance gate of an abandoned country home. As if she was coming out of a water mirror, a woman emerges from the mud at the bottom of a lake. As they approach each other, a spell is cast. Together they experience the enchantment of hallucination, memory and dreams. Reflections on the water will reveal secrets hidden in the nature of the soul. The Mirror is a recreation of Machado de Assis’ (1839-1908) homonymous tale

Kid

Inspired by Jorge Luis Borges’ The Disinterested Killer Bill Harrigan, Garoto follows a young couple who find themselves in an enchanted place where they experience an amorous and spiritual adventure.

Meus Dois Amores

Manuel is a crafty cowboy and swindler who lives to serve his two great loves – his fiancée Das Dô, and his mule Beija-fulô – and his business of selling unsound horses to suckers. The killer Targino arrives in town looking for a horse. Thinking that he is being clever, Manuel sells a sick horse to the assassin. Targino swears that he is going to kill Manuel, and dishonor Das Dô’s reputation after he’s dead. Under pressure, Manuel calls on the magic of Toniquinho das Pedras to protect his body. However, the witchdoctor demands the mule Beija-fulô as payment. Manuel, sees himself in the dilemma between having to choose between his fiancée Das Dô, and the mule, Beija-fulô.

Sentimental Education

Sentimental Education centers on the unique relationship between Áurea, a lonely 40 year old teacher, and a young man she has just met by chance – one of these encounters which mythology and literature are full of. A delicate soul who finds itself attracted to a beauty that seems to demand, disturb and move her. That shakes her up entirely. During the days following their first conversation, she will expose all her feelings through classes in which he will let himself be carried away. Until an unusual episode from the past is revealed and changes everything.

Eden

Rio de Janeiro, 2012. 30 year-old Karine, 8 months pregnant, loses her husband in a senseless murder. She and her brother almost die, but are saved by Pastor Naldo, an evangelical pastor from the Church of Eden. Karine carries within her the conflict of salvation via the church or via the birth of her child.

Light in Darkness: The Return of Red Light Bandit

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

Aperana Street 52

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

Belair

Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company Belair that were forbidden by the Brazilian censorship that reveal today images of an unique freedom.

Meu Nome é Dindi

Meu Nome é Dindi shows the movement of time over a young woman who owns a small marketplace near bankruptcy and fights for survival.

The Herb of the Rat

The names of the characters are pronouns. She is a teacher, with his father dead just three days ago. Faced with this situation, He intends to take care of her while He is alive. This is the beginning of an odd relationship.

Cleopatra

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

Cartola: The Samba Legend

Documentary on the life and times of one of the most prominent Brazilian samba composers, Cartola (Angenor de Oliveira).

Ver Viver Reviver

In September 2007 Júlio Bressane goes to Ferrara. In the cemetery of the Italian city he ends up making two movies.

Ver Viver Reviver

In September 2007 Júlio Bressane goes to Ferrara. In the cemetery of the Italian city he ends up making two movies.

O Cavaleiro Didi e a Princesa Lili

This adventure movie features Didi as King's Lindolfo groom and valet, a faithful servant to the royal family. After the King's death, his evil brother Jafar tries to seize the throne. He plots for his son Galante to marry young princess Lili, but Didi won't let him get away so easily with his plans. The clumsy valet fights bravely to keep the kingdom safe from Jafar, and he's eager to do anything to help princess Lili and her childhood sweetheart Juan, who is a commoner, to be together.

Irmãos de Fé

Priest Marcelo Rossi visits a juvenile correction center, and gives Paulo, one of the interns, a Bible. He starts reading the story of St. Paul.

Didi Wanna Be a Kid

Didi works at a traditional candy factory, which faces serious problems with the competition of a big company, whose products are full of artifical and dangerous flavors and colorants. He tries to warn the kids of the danger, but they don't believe him, and he prays to his saints of devotion, St. Cosmas and St. Damian, for a solution. Some other day, he gives shelter to two poor men who, in return, give him some magical candies. After eating them, he turns into a kid and tries again to talk to the other children, who now take him seriously, since he has become one of them.

Um Show de Verão

Andréa, a poor telemarketing salesgirl, dreams of being a singer. Her rich boyfriend Fred hires a musical producer, Marcelo, to turn her into a star. But she and Marcelo end up falling in love.

Mary, Mother of the Son of God

Maria Auxiliadora is a 24 year-old woman very poor, that she lives Joana, her 7 year-old daughter close to. Needing go look for the result of Joana's exam in the hospital, Maria asks the priest of the local church that takes care of her to return. In spite of Joana's insistence to go with the mother Maria insists that she is with the priest, because she distrusts that her daughter suffers of a serious disease. To entertain the girl while it awaits the mother's return, the priest decides to tell her a mother's history that dedicated her life to the son: Mary, mother of Jesus Christ.