Roger Morillière

Strangers of the Earth

Les inconnus de la terre starts like a traditional feature film: in the beginning of the film all the leading roles are given a short introduction. This is followed by a number of interviews, in which the makers unashamedly appear themselves. They include an interview with a lonely shepherd and one with three unmarried brothers who try to run the parental farm for better or worse. Notwithstanding the fact that this mode of interviewing has now become classical, les inconnus de la terre works rather refreshingly. The film is more than just an enumeration of problems. In an honest way it shows the ties of those involved to the land and to nature, in addition to being a plea for the modernization of French agriculture.

Hampi

A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".

The Punishment

An aimless young woman is sent home from school with nothing to do. Drifting through the streets of Paris, she comes across a variety of people.

Chronicle of a Summer

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

The Human Pyramid

Jean Rouch gives a group of black and white teenagers a "what if" question: what if they socialised with each other? The teenagers then improvise their own characters and situations.