Roman Kroitor

ActorProducerDirectorExecutive ProducerWriter

Roman Kroitor (December 12, 1926 – September 17, 2012) was a Canadian filmmaker who was known as a pioneer of Cinéma vérité, as the co-founder of IMAX, and as the creator of the Sandde hand-drawn stereoscopic 3D animation system. He was also the original inspiration for The Force. His prodigious output garnered numerous awards, including two BAFTA Awards, three Cannes Film Festival awards, and two Oscar nominations. Roman Boghdan Kroitor was born in Yorkton, Saskatchewan, to Ukrainian immigrants Peter and Tatiana (Shewchuk), both of whom were teachers. Peter died when Roman was four; Tatiana moved the family to Winnipeg and continued teaching. Roman attended the University of Manitoba, graduating in 1951 with a Master of Arts in Philosophy.

12-12-1926

Birthday

Sagittarius

Zodiac Sign

Genres

Total Films

Also known as (male)

Yorkton, Saskatchewan, Canada

Place of Birth

12-12-1926

Birthday

Sagittarius

Zodiac Sign

Genres

Total Films

Also Known As (male)

Yorkton, Saskatchewan, Canada

Place of Birth

Popular works

Media

Creative career

actor

3 Works

producer

36 Works

director

58 Works

writer

6 Works

other

6 Works

The Reality Trip

Documentary celebrating the centenary of cinema which looks at how technological innovations - from widescreen to 3D, Cinerama to Showscan and IMAX - have shaped our perception of reality. Featuring exclusive footage of the making of Hollywood's first 3D IMAX film, 'Wings of Courage', and rare interviews with and footage of many of cinema's key pioneers.

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Year:

Live Before the Letter

Thanks to the development of techniques and the adventurous spirit of pioneering filmmakers, among whom Michel Brault occupies a central place, a new way of making cinema was born at the turn of the 1950s and 1960s. This film relevantly retraces the history of a collective movement which revolutionized production and filming methods in Quebec and the world.

0.0

Year:

2006

21-87

This short film from Arthur Lipsett is an abstract collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he worked as an animator), combined with his own black and white 16mm footage shot on the streets of Montreal and New York City, among other locations. A commentary on a machine-dominated society, it is often cited as an influence on George Lucas's Star Wars and his conceptualization of "The Force."

6.8

Year:

1963