Roxana Richters

Punching the World

Two brothers grow up in the Saxon province (part of Germany) at the turn of the millennium, where the dream of family happiness in a new house quickly turns into a nightmare of decay, violence and xenophobia as they desperately search for stability and belonging.

Minimals in a Titanic World

Fresh out of jail, Anita is supposed to control her aggression. Physical warmth, grief and intimacy. Almost without plot, the film draws on light, colour, style, dance and great music to enter a group of friends with someone missing at its heart.

Von uns wird es keiner sein

An anonymous suicide threat shared on social media causes turmoil at a school. For the students, their parents and the teachers, a race against time begins: who sent the threat? While everyone is on the trail of this question, it turns out that another secret could be involved.

Second Thoughts

When Marie’s boyfriend proposes to her in front of his entire family, she doesn't know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: Her mother pesters her with baby names, exboyfriends climb down trees and a woman in a sari narrates her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts with hers. But what if you show your thoughts to each other? How much honesty can a relationship take? In her first feature, director Zora Rux, an apprentice of Swedish filmmaker Roy Andersson, tells a surrealistic story of the search for one’s true self in poetic tableaus.

Whispers of War

When Khalil, a primary school teacher in Berlin, gets hold of images of war from his Kurdish hometown of Cizre, he is forced to question his entire existence in Berlin. His life spirals out of balance as he seems to recognise his long lost sister in the videos – whom he thought long dead. He tries everything to get in contact, to save his sister, to inform the public about this brutal war. And loses himself.

Meral, My Girl

Following an accident, Meral returns to live with her traditional parents where she is confined to her bed while recuperating. Nobody confronts her condition except herself. Her little sister Asiye is her biggest supporter.