Run Run Shaw

Iron Fists and Kung Fu Kicks

The fantastic story of how an ancient martial art, Chinese kung fu, conquered the world through the hundreds of films that were produced in Hong Kong over the decades, transformed Western action cinema and inspired the birth of cultural movements such as blaxploitation, hip hop music, parkour and Wakaliwood cinema.

The Legend of Run Run Shaw

A tribute to Run Run Shaw by TVB/Pearl.

Cinema Hong Kong: The Beauties of the Shaw Studio

Hong Kong cinemas had a wide range of glamorous female stars during the golden age of the 60's and 70's. The series will take the audience on a sentimental journey to the good old days and once again look at the expansive epic costume dramas and huangmei operas in which actresses played both the male and female roles. Rare interviews with Sir Run Run Shaw, stars Ivy Ling Po, Shaw Yin Yin, Tanny Tie Ni and Cheng Pei Pei are also featured.

Cinema Hong Kong: Kung Fu

Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).

Citizen Shaw

A French TV documentary from 1980 directed by Maurice Frydland, in which Sir Run Run Shaw gives an all-access tour of the Shaw Brothers backlot (including behind-the-scenes footage from Return to the 36th Chamber.

Fists of Fire

A look at Shaw Brothers Studios in their prime. Includes: interviews with David Chiang; exploring the Shaw Brothers sets; a look at the craftsmen, foley artists and stuntmen of Shaw Bros.; a profile on Run Run Shaw; Italian-meets-Chinese kung-fu films; and a visit from Peter Cushing.

What Makes Shaw Run Run?

Alan Whicker meets Chinese film mogul, Run Run Shaw, at his Hong Kong studios and sees examples of the swordfight films, of which he is producing more than sixty a year.