Sabrina Zimmermann

The Furniture Maker

In an attempt to get closer to his father, Leonardo starts filming him in his everyday life. As days go by, Esteban notices the camera and uses it as a means of communicating with his son.

Clareando

Clara lives in a city too big for her taste. The days go monotonous and lifeless. When she begins to receive intriguing anonymous messages, the feeling that a change will soon happen becomes to rise. But at the same time, she is faced with a fundamental question: it would there be movement if it were not the impulse? This plot is developed across the film only by the sensory experience of the character.