Samu Fuentes

Los últimos pastores

Fernando (71) and Manolo Mier (70) are brothers. They are two of the last shepherds left in Picos de Europa. They transmit, with unusual generosity, wisdom and happiness in equal parts. In an environment where many would not survive, they enjoy life. They are legend and memory of Picos, at the same level as El Urriellu or the wolf. A way of life and a wisdom that can disappear with them.

Los últimos pastores

Fernando (71) and Manolo Mier (70) are brothers. They are two of the last shepherds left in Picos de Europa. They transmit, with unusual generosity, wisdom and happiness in equal parts. In an environment where many would not survive, they enjoy life. They are legend and memory of Picos, at the same level as El Urriellu or the wolf. A way of life and a wisdom that can disappear with them.

The Skin of the Wolf

Martinón is the last inhabitant of Auzal, a village in the mountains where he lives in communion with nature. He only goes down to the valleys twice a year to trade and to buy provisions. But one day he’s convinced to take a wife, a decision intended to soften his calloused soul—but in some ways his real struggle is only just beginning.

The Skin of the Wolf

Martinón is the last inhabitant of Auzal, a village in the mountains where he lives in communion with nature. He only goes down to the valleys twice a year to trade and to buy provisions. But one day he’s convinced to take a wife, a decision intended to soften his calloused soul—but in some ways his real struggle is only just beginning.

Los muertos no se tocan, nene

Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.