Sandra Trostel

WriterDirectorProducer

Sandra Trostel is a filmmaker and producer who deals with storytelling in the digital age. Through artistic and scientific debate her work focuses on the analysis of current and future social developments through digitalization and the possibility of participation and co-creation. Depending on the project, she uses various media and forms. Her documentary projects such as Utopia Ltd., Everybody's Cage or All Creatures Welcome have been presented at international festivals, in cinema and on television. She also participates in think tanks and theatre projects, leads workshops and lectures on her work.

Birthday

Zodiac Sign

Genres

Total Films

Also known as (female)

Place of Birth

Birthday

Zodiac Sign

Genres

Total Films

FilmGizmo

Also Known As (female)

Place of Birth

Popular works

Media

Creative career

actor

0 Works

producer

3 Works

director

19 Works

writer

2 Works

other

10 Works

All Creatures Welcome

All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.

9.0

Year:

2018

Everybody's Cage

In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.

0.0

Year:

2015

Utopia Ltd.

Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.

0.0

Year:

2011