Sanne Arnt Torp

When in Rome

Gerda and Kristoffer are celebrating their 35th wedding anniversary in Rome, where Gerda used to study art when she was young. But the trip doesn't go quite as planned, when the couple run into Gerda's charismatic art teacher and former flame, Johannes. Kristoffer ends up on the sideline, while Gerda chases her youth through the streets and alleys of Rome, to confront the ghosts of the past.

The Lost Treasure of the Knights Templar

Danish brilliant pre-teen student Nis uses his summer holiday to learn Latin so he can properly study the Knights Templar inheritance on Bjornholm island from sources. His friends Mathias, a dumb jock, and Kathrine, who only comes to spend time wear her dad, who really wanted a boy, prefer childish fun, but get dragged in his quest for a treasure. Mats's strength, Kathrine's connections and even Nis's bratty kid sister's blunt remarks contribute to find out about two brotherhoods, heirs of 12th century factions in the Templar order and deal with danger.

Carl, My Childhood Symphony

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.

Sofie

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

The Element of Crime

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.